...WHY WE FIGHT, the new film by Eugene Jarecki which won the Grand Jury Prize at the 2005 Sundance Film Festival, is an unflinching look at the anatomy of the American war machine, weaving unforgettable personal stories with commentary by a "who's who" of military and beltway insiders. Featuring John McCain, William Kristol, Chalmers Johnson, Gore Vidal, Richard Perle and others, WHY WE FIGHT launches a bipartisan inquiry into the workings of the military industrial complex and the rise of the American Empire.

Inspired by Dwight Eisenhower's legendary farewell speech (in which he coined the phrase "military industrial complex"), filmmaker Jarecki (THE TRIALS OF HENRY KISSINGER) surveys the scorched landscape of a half-century's military adventures, asking how - and telling why - a nation of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war.

The film moves beyond the headlines of various American military operations to the deeper questions of why - why does America fight? What are the forces - political, economic, ideological - that drive us to fight against an ever-changing enemy?

"Frank Capra made a series of films during World War II called WHY WE FIGHT that explored America's reasons for entering the war," Jarecki notes. "Today, with our troops engaged in Iraq and elsewhere for reasons far less clear, I think it's crucial to ask the questions: 'Why are we doing what we are doing? What is it doing to others? And what is it doing to us?'"..."

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions. The American Documentary Grand Jury Prize was given to WHY WE FIGHT, written and directed by Eugene Jarecki. What are the forces that shape and propel American militarism? This award-winning film provides an inside look at the anatomy of the American war machine.

He may have been the ultimate icon of 1950s conformity and postwar complacency, but Dwight D. Eisenhower was an iconoclast, visionary, and the Cassandra of the New World Order. Upon departing his presidency, Eisenhower issued a stern, cogent warning about the burgeoning "military industrial complex," foretelling with ominous clarity the state of the world in 2004 with its incestuous entanglement of political, corporate, and Defense Department interests.

Deploying the general's farewell address as his strategic ground zero, Eugene Jarecki launches a full-frontal autopsy of how the will of a people has become an accessory to the Pentagon. Surveying the scorched landscape of a half-century's military misadventures and misguided missions, Jarecki asks how--and tells why--a nation ostensibly of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war.

Jarecki, whose previous film, The Trials of Henry Kissinger, took such an unblinking look at our ex-secretary of state, might have delivered his film in time for the last presidential election, but its timing is also its point: It does not matter who is in charge as long as the system remains immune from the checks and balances of a peace-seeking electorate. Brisk, intelligent, and often very, very human, Why We Fight is one of the more powerful films in this year's Festival, and certainly among the most shattering.